WHAT SHOULD I DO?!?!?!?!

Usually when you ask this question, people say something annoying like "only you can truly know" or "follow you heart". Ask it on the set of AmeriQua, and you have just called an impromptu meeting with Giovanni Consonni and Marco Bellone, the directors. They will tell you exactly what you should do. Directing a movie requires vision and attention to detail and is often accompanied by uncompromising opinion. How fresh and fly, then, that Giovanni and Marco feed off each other's creative energies and work together as a team. Compromise is the name of their game, and it makes them a true artistic force. It's like having a very thoughtful and friendly two-headed hydra directing the film. Well, it's actually a four-headed hydra since we must recognize the outstanding drive and focus of the assistant directors Carlo Paramidani and Fabrizio Procaccini. They have done a fantastic job, and we are all looking forward to seeing their finished product this year.

Photos: Giovanni, Marco, Carlo, Fabrizio

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Badoo slams vodka and crowd surfs...

You think you know how to party? No, Badoo knows how to party. Seeing him in the club was like seeing a soldier that has, at long last, returned to the home he loves and adores. He chats with anything that breathes, drinks with abandon and even had his run at crowd surfing. A great night of filming and mayhem. Peep these pics.

1) Badoo drinks

2) Badoo lets out a bear roar

3) Badoo jumps

4) Uh oh...

5) The scene

6) Ladies first, please

7) Consuelo, an essential piece of AmeriQua, plays the bartender

8) Bob and fantastic Eva Amurri

9) Bob and the real Valentina Ferracane

10) Bob and the beautiful Alessandra Mastronardi

11) Badoo and the real Valentina Ferracane

12) Characters Charlie, Elsy, Vicky and Badoo

13) The knock-out Susanna Giaroli who played the hostess

14) The extras for AmeriQua getting ready

15) Lounging...

16) Long table at the cast dinner

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On the Scene

We had a moment to catch up with Rossella, Andreea and Marco as the crew was setting up outside of Fiumicino Airport. Marco is a grip and so was responsible for the lighting and rigging over the six weeks of AmeriQua's production in Italy. Rossella and Andreea were the set designers that were responsible for all the material elements that appeared in the frame. This job can be straightforward, such as decking out Lele's Bolognan dorm room with a parade of college paraphernalia. Other times it's more nuanced, as we see in this video where Rosella and Andreea are cutting out cloud forms that will pass by the window of the Alitalia flight simulator, thus giving the impression inside the craft of passing clouds. Meet all three of these wonderful people in this most recent AmeriQua video.

(Since we don't have a picture of Marco on the Throne of the King of Bologna, please enjoy a photo of Badoo's smallest dog on the regal seat!)

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Bobby's Fancy Wine Trick + Lele's Mile High Technique...

There's no shortage of ways to get blacklisted from international travel. Smuggling animals is one way. This Norwegian guy, for example, got caught with 24 illegal pythons and geckos taped to his body as he attempted to re-enter his native country from Denmark. Not dramatic enough? A crocodile was smuggled onto an internal flight in the Democratic Republic of Congo, escaped into the cabin and actually caused the plane to crash. In light of these bizarre incidents, don't judge Bobby and Lele too harshly for their deviant mile-high behavior. At least no one got hurt...

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Amazing Photos from Bobby and Marin in Bologna

Bobby Kennedy and Marin Jo Finerty took some extraordinary photos. They met a veteran from the Italian resistance movement in Piazza Maggiore who was wearing his original uniform. These are the guys who pushed the fascists out of Italy alongside the Allied Forces in World War Two. To meet a soldier still alive and lucid from that era was a rare experience! Bobby and Marin also passed by one of canals that still exist in Bologna, a city that used to have many canals. Finally, they climbed the Torre Asinelli, up the narrow staircase to the best view of Bologna and the surrounding countryside.

The photos were taken on a Cannon 550D with a Cannon 50mm F/1.4 lens.

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The Bomb Squad

Movies are like time bombs. The clock is always against you. Everything must be done with precision and speed.

First, you have to get to the set with all the crazy equipment, frantic people and coffee that it takes to film a scene. Since we filmed a picnic scene in the hills, getting to the set wasn't easy. In my car, our driver drove - I'll put it simply - with no regard for anyone's life around him.

He, like many Italian drivers, has the sadistic propensity to cut to the inside of the narrow road when speeding around blind corners with joggers and bikers on the flanks. I kept reminding him that we are backstage personnel for a comedy movie, not stunt drivers in The Fast and the Furious. Maybe he didn't understand my english, but I'm pretty sure he accelerated.

Then you have to film the scene. But it's not like you just film it once. You film it so many times that you want to cry. Wait, try it from this angle. Hey, Carlo, move that piece of prosciutto two centimeters to the left. Bobby, can you please put your right knee over your left leg and not your left leg over your right knee, like we discussed? Alessandra, you look perfect, but I think we need a little more powder on your left earlobe.

And then, there's the swooping bird of prey that the movie industry calls the boom mike. The light looks great, the lines funny, the scenery gorgeous...almost done with the last line, and...CUT BOOM! Yes, the boom mike just dipped in the frame to say hello and inform the directors that they are screwed. (The boom mic operator is a very hard job, though, since you have to hold a 30-foot wizard's wand just over the actors' head and pray it doesn't enter the frame. Props Jimmi...you are the man.)

Of course the sun is also against you. You want an afternoon scene? Well, shoot it during the afternoon. If the light changes significantly before the scene is done, go back to Bologna and tell the producer you'll need another day to shoot the scene. No, no...go tell him. It can't be that expensive. I'm sure he'll understand.

Oh yeah, and bees. Bees swarmed the picnic right after the scenographers set it up. Bobby and Alessandra Mastronardi weren't too keen to do their scene while being stabbed by living barbs. So, the crew set up a plate of jam, meat and fruit about twenty feet away from the picnic to attract the bees there. It kinda worked, until a thick cloud of swarming insects emerged from the woods anyway to eat the food and get a cameo in the process.

Yet, here in AmeriQua the bomb squad just keeps on pulling it off. The scene, for all its challenges, came out beautifully. Bravi!

Photos:

1) Bobby and Alessandra wish for peace in the world.

2) Sacha Cesana and Giulio Tarantino helpfully do nothing.

3) The crew.

4) Bobby's job is demanding here?

5) Bobby, Alessandra and a parasol.

6) Emilia Romana countryside.

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Want to see how a making a film really works?

"Filmmaking" is synonymous with "Terrible Logistical Nightmare". There is so much to account for, to organize, to plan, to consider for even the simplest scenes. You need to know the answer to a hundred questions before you can even begin to put the puzzle together. Who's acting in the scene? What and how many trailers are needed? Where will they be parked? Any special props needed? What time are we allowed in the location? What time do we have to leave? How many extras are involved in the scene? Where will they get their hair and make-up done? Where is base camp? Where are the locations? How far away are they from each other? Are there dogs involved in this scene? Are they insisting on martinis and Cuban cigars again? Where can you find a decently mixed martini in Italy? Et cetera...

In order to make sense of this madness, the production - bless them, for their jobs are cursed - publishs a call sheet (ordine del giorno in italiano) for each day of filming. This gives everyone the essential information of who, what, where and when. I remember many nights when we finished filming at 5 in the morning, and as everyone was going off to bed, the poor production people were just beginning to put together one of these complex documents for the next day. (Advice on the side: if you value your sleep or sanity, never ever go into movie production.)

Here is a sample call sheet from October 27th, when we were filming in Bologna. It was supposed to rain, so there are two contingencies laid out here. At least the filming was at reasonable hours, from 9AM to 7PM. These hours are peachy compared to the many night shoots we did that began at 7 in the evening and ended (if we were lucky) at 5 in the morning.

Click here to download:
ODG_lunedì_27.pdf (163 KB)

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Giancarlo Giannini as Don Ferracane VIDEO (w/ subtitles)

For those Americans who don't know him, Giancarlo Giannini is huge in Italy. Saying you don't know him (as I had to when we started filming) gets you strange looks, like you said you didn't know Robert De Niro. Giannini is ubiquitous in Italian cinema, and also appears in the American cinema, most recently as Mathis in the last two James Bond films.

Take this steely, aged Italian movie legend and put him in front of the camera with Bobby, an American dude acting in his first role, and the results are definitively comical. As DON FERRACANE, it is Giannini's role to intimidate and distrust Bobby, who plays CHARLIE EDWARDS. He accuses him, points knives at him and has no qualms about openly showing his disgust at the disheveled American who is wooing his daughter, VALENTINA. I image some of Bobby's wide-eyed gulping in the face of Giannini's masterly acting was part his own impressive acting skill and part true awe at the impact of Giannini's intensity.

In this video, check out Giannini giving an impromptu interview as DON FERRACANE at the magnificent Palazzo Stella in the Bolognan countryside. For those Americans who aren't familiar, a "smoking" in Italian refers to what Americans call a "smoking jacket". Enjoy!

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The Good, the Bad and the Ugly of AmeriQua's locations...

Which is the best city that AmeriQua was filmed in? Of the contenders we have Bologna in Emilia-Romagna, Barga in Tuscany, Rome in Lazio and Naples in Campania. Though I am American, I have lived in Italy now for a number of years and will hereby tender my humble opinion on the matter. It is my hope that our readers, especially the Italian ones, will voice their opinion by either commenting on this article or writing on our Facebook page.

In true Sergio Leone fashion, let's do a "The Good, The Bad and The Ugly" comparison of these locations.

BOLOGNA

Good: The bars are numerous and full even on off-nights. The food is delectable and often affordable: a €2 panino con mortadella, €6 tagliatella al ragù or 5€ tortellini al brodo is common. The city is well sized for walking and offers protective porticos nearly everywhere. Bologna is intellectually awake due to its strong community of thinkers and activists. The city is set at the foot of verdant hills, which offer amazing day trips and views of the Po Valley.

Bad: Estimate gaining from 1-2 kilograms of body weight per week you spend within the city walls.

Ugly: Drunk punkabbestias are always lurking! (When we filmed Lele's strike scene at 8 in the morning, already amassed was a robust group of completely drunk, unkempt dog devotees that shouted and annoyed the soundguys.)

BARGA

Good: Everywhere you look there are cascading vistas across kilometers of lush green mountains. Barga allows you to leave behind the big city and relax in the fresh mountain air. The paradise of Cinque Terre is just a moderate car ride toward the Ligurian coast. Juicy bistecca alla fiorentina and ambrosial red wine are all in the offering. Highly recommended comes the elegant Il Ciocco Resort that put up the troupe of AmeriQua during our time there.

Bad: You may never go back to the city...

Ugly: "Hey man, what do you want to do tonight?"

NAPLES

Good: If you really look at it, the Bay of Naples is one of the most dramatic and striking landscapes in the world. The pizza from Naples is soft, chewy and elemental. Italian seafood is at its finest in this port town with varying dishes containing all the fruits of the sea. The historic city center is the largest in Europe and one of its oldest. You are a stone's throw from the Amalfi Coast and the island of Capri and Ischia. An intriguing sense of mystery and chaos pervades Naples.

Bad: Neapolitans are particular. Let me tell you a story. I dined one night in Naples with Giulio Tarantino, a member of the AmeriQua troupe. He gave the waiter some flak for not understanding the exact pizza he wanted. That was a mistake. The waiter brought my pizza, which I ate, and then he then brought the check. Giulio's pizza never arrived. At least there was bread for him to eat...

Ugly: Neapolitan dialect is an important vestiage of an ancient culture. But trying to understand it as a non-Neapolitan...yeah, that's ugly!

ROME

Good: Three millennia of history stands naked to inspire all who pass. Rome has a good position between the South and North of Italy for access to the whole peninsula. The beach is only a train ride away in the summer. Roman cooking is fantastic, most notably for the pasta alla carbonara, pasta alla gricia, pasta al cacio e pepesupplì or thin crust pizza. Rome has some of Italy's best museums, from the Vatican Museum to the new Maxxxi. Despite some rain in the winter, Rome enjoys a temperate climate.

Bad: The pace of life in Rome is so delightfully slow, you may never get anything done!

Ugly: The tourists.

 

Those are my opinions. What are yours???

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The Finishing Touches

One sure way to spoil creativity is to rush it. The Boy Scouts of America really had it right with their motto, "Always Be Prepared" and this bushwhacking wisdom translates well into the cinema. It's the countless subtle postproduction decisions regarding editing, color and sound that finally crystalize into a film that truly pops off the screen and into your mind. In the spirit of that delicate artistic calibration, Lele Gabellone the King of Bologna, finds himself in Rome today as he puts the finishing touches on his sound dubbing.

We were all happy to hear that Lele made the journey from Bologna to Rome. Being graced by regal presence is rarely a bad thing. But then my suspicions took root when I noticed some photos of the editing/dubbing studio that Giovanni Consonni, the director, had posted online. One photo in particular (the first photo below) shows the directors working on the fundamental scene where Lele and Charlie Edwards, played by Bobby Kennedy, discover the strongest plank of their friendship: an inexhaustible passion for chasing women. Why am I suspicious? Well, Lele says about two thousand swearwords in that scene as he describes his preferred method for female interaction. The directors are exceedingly respectful gentlemen, and we can only hope that most of Lele's lusty tirade will survive the dubbing sessions. Then again, it shouldn't be a problem...AmeriQua's not going for a G rating from the MPAA anyway!

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AmeriQua - The Film

This site brings you behind the scenes of AmeriQua, a fresh feature comedy written by Bobby Kennedy III. He stars in it with Lele Gabellone, Eva Amurri, Alec Baldwin, Alessandra Mastronardi, Giancarlo Giannini and many more. Come here for the real inside look at the making of AmeriQua, coming out in 2011!
Written by Brett Garling
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Questo sito vi porta nei retroscena di AmeriQua, una commedia giovane e fresca scritta da Bobby Kennedy III che ne e' protagonista insieme a Lele Gabellone, Eva Amurri, Alec Baldwin, Alessandra Mastronardi, Giancarlo Giannini e molti altri ancora. Visitate il nostro sito per conoscere come e' stato realizzato il film AmeriQua, nelle sale nel 2011!
Scritto da Brett Garling

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